Object
Title: From a gothic text to a neobaroque cinema: Wojciech Jerzy Has’s adaptation of James Hogg’s The Private memoirs and confessions of a justified sinner
Description:
artykuł w: Lublin Studies in Modern Languages and Literature Vol. 43, Nr 2 (2019), s. 145-156
Publisher:
Place of publication:
Contributor:
Uniwersytet Marii Curie-Skłodowskiej (Lublin) ; Krieger-Knieja, Jolanta. Redaktor naczelna
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Identifier:
Language:
Relation:
Lublin Studies in Modern Languages and Literature Vol. 43, Nr 2 (2019)
Rights:
Uniwersytet Marii Curie-Skłodowskiej (Lublin)
Object collections:
Last modified:
Jan 27, 2021
In our library since:
Jan 27, 2021
Number of object content hits:
41
Number of object content views in PDF format
41
All available object's versions:
http://dlibra.umcs.lublin.pl/publication/39823
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Lublin Studies in Modern Languages and Literature
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Lublin Studies in Modern Languages and Literature Vol. 43 (2019)
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Lublin Studies in Modern Languages and Literature Vol. 43, Nr 2 (2019)
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- John Dickson Carr’s early detective novels and the Gothic convention
- “You have a lovely and unusual name.”Mrs de Winter from Daphne du Maurier’s Rebecca – a Gothic heroine in search of identity
- Mistaken for ghosts: the Gothic trope of catholic superstition in Conrad and Ford’s Romance
- Violence as spectacle: happy Gothic in Ben Aaronovitch’s Rivers of London
- “I know not […] what I myself am”: conceptual integration in Susan Heyboer O’Keefe’s Frankenstein’s Monster (2010)
- Living in the sunken place: notes on Jordan Peele’s Get Out as Gothic fiction
- Family resemblance: Frankenstein’s Monste rand the Phantom of the Opera in Penny Dreadful (2014-2016)
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