Object
Title: “I know not […] what I myself am”: conceptual integration in Susan Heyboer O’Keefe’s Frankenstein’s Monster (2010)
Description:
artykuł w: Lublin Studies in Modern Languages and Literature Vol. 43, Nr 2 (2019), s. 109-123
Publisher:
Place of publication:
Contributor:
Uniwersytet Marii Curie-Skłodowskiej (Lublin) ; Krieger-Knieja, Jolanta. Redaktor naczelna
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Relation:
Lublin Studies in Modern Languages and Literature Vol. 43, Nr 2 (2019)
Rights:
Uniwersytet Marii Curie-Skłodowskiej (Lublin)
Object collections:
Last modified:
Jan 27, 2021
In our library since:
Jan 26, 2021
Number of object content hits:
50
Number of object content views in PDF format
50
All available object's versions:
http://dlibra.umcs.lublin.pl/publication/39819
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Lublin Studies in Modern Languages and Literature
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Lublin Studies in Modern Languages and Literature Vol. 37 (2013)
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Lublin Studies in Modern Languages and Literature Vol. 38 (2014)
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Lublin Studies in Modern Languages and Literature Vol. 43 (2019)
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Lublin Studies in Modern Languages and Literature Vol. 43, Nr 1 (2019)
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Lublin Studies in Modern Languages and Literature Vol. 43, Nr 2 (2019)
- Lublin Studies in Modern Languages and Literature Vol. 43, Nr 2 (2019). From the Editors
- Going down the drain: Sweeney Todd, sewerage, and London sanitation in the 1840s
- The dialogic mode in Jane Austen’s Northanger Abbey: The manorial gothic meets a subversive novel of manners
- The utopian and the gothic in Ellis James Davis’s Pyrna: A Commune; or, Under The Ice
- The political gothic of dystopian romance. Joseph Shield Nicholson’s Thoth (1888)
- The fertility of the supernatural: Stuart Neville’s The Ghosts of Belfast
- John Dickson Carr’s early detective novels and the Gothic convention
- “You have a lovely and unusual name.”Mrs de Winter from Daphne du Maurier’s Rebecca – a Gothic heroine in search of identity
- Mistaken for ghosts: the Gothic trope of catholic superstition in Conrad and Ford’s Romance
- Violence as spectacle: happy Gothic in Ben Aaronovitch’s Rivers of London
- “I know not […] what I myself am”: conceptual integration in Susan Heyboer O’Keefe’s Frankenstein’s Monster (2010)
- Living in the sunken place: notes on Jordan Peele’s Get Out as Gothic fiction
- Family resemblance: Frankenstein’s Monste rand the Phantom of the Opera in Penny Dreadful (2014-2016)
- From a gothic text to a neobaroque cinema: Wojciech Jerzy Has’s adaptation of James Hogg’s The Private memoirs and confessions of a justified sinner
- Darwin’s monsters: evolution, science, and the gothic in Christian Alvart’s Pandorum
- Lublin Studies in Modern Languages and Literature Vol. 43, Nr 2 (2019). Spis treści
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Lublin Studies in Modern Languages and Literature Vol. 37 (2013)
